Selasa, 18 Maret 2014

Norton Simon Museum

Norton Simon Museum  The museum has a world-renowned collection of art from South Asia and Southeast Asia, with examples of this region’s sculptural and painting traditions. On display are holdings from India, Pakistan, Nepal, Tibet, Cambodia and Thailand, as well as selected works from Afghanistan, Myanmar, Bangladesh, China, Indonesia, Sri Lanka, Vietnam, and Japan. The collection is particularly rich in art from the Indian subcontinent, including monumental stone sculpture from the Kushana and Gupta periods, and a remarkable group of Chola bronzes from southern India. Selections of the Museum’s Rajput paintings from India, and thangkas, or Buddhist religious paintings, from Tibet and Nepal are well represented. The impressive collection of Japanese woodblock prints has a majority which were formerly in the collection of Frank Lloyd Wright.
European art: 14th-16th centuries
Norton Simon Museum

Masterworks of the Early Renaissance, the High Renaissance and Mannerism make up the museum’s extensive collection of 14th- to 16th-century European art. Exquisite works by Paolo Veneziano and Giovanni di Paolo, and an exceptional Guariento di Arpo altarpiece, anchor the museum’s collection of gold-ground panel paintings. Jacopo Bassano, Botticelli, Filippino Lippi and Raphael are represented by rich oil paintings of religious scenes. Also represented are magnificent examples of such Northern European masters as Lucas Cranach the Elder, Dieric Bouts and Hans Memling. The portraits of Giorgione, Giovanni Bellini and El Greco reflect the great diversity of subject matter in the collection. Ownership of Cranach's Adam and Eve is disputed due to their history as Nazi loot.
Norton Simon Museum
European art: 17th-18th centuries
Rembrandt, Self-portrait, c. 1640

The museum’s early Baroque paintings from Italy and Spain are represented by such noted artists as Guido Reni, Guercino, Murillo and Zurbarán. The Northern Baroque collection is profoundly expressed in the works of Peter Paul Rubens. The remarkable group of 17th-century Dutch genre, portrait and landscape paintings is crowned with three portraits by Rembrandt. Capping off the 17th century are Flemish and German still lifes, and religious landscapes by the French masters Claude Lorrain and Nicolas Poussin. The French component of the 18th century collection contains paintings by Watteau, Fragonard and Boucher, while Italy is represented with capriccios and historic glimpses into the daily life of Rome and Venice with works by Longhi, Pannini, Guardi, Canaletto, and Tiepolo.
European art: 19th century
Vincent van Gogh, The Parsonage Garden at Nuenen in the Snow, 1885, (F194)

The museum's paintings by Jean-Auguste-Dominique Ingres and Francisco de Goya mark the beginning of the 19th century and lead to superb examples of mid-century Realism executed by Jean-Baptiste-Camille Corot, Gustave Courbet and Édouard Manet. The museum has the most significant collection of Impressionist and Post-Impressionist art in Southern California. Works by Claude Monet, Pierre-Auguste Renoir and Edgar Degas, who alone is represented by over one hundred works of art, are displayed alongside the vibrant palettes of Vincent van Gogh, Paul Cézanne and Paul Gauguin. Complementing these works are Auguste Rodin’s monumental bronze sculptures, displayed in the Museum’s front garden. Outstanding paintings by Édouard Vuillard and Pierre Bonnard lead to the doorstep of 20th-century Modernism.
Modern art

The museum has an extensive collection of Modern art, with seminal works by Pablo Picasso, Georges Braque, Henri Matisse, and Diego Rivera on permanent view. The "Galka Scheyer collection of works by the Blue Four artists" boasts paintings and works on paper by Paul Klee, Lyonel Feininger, Alexei Jawlensky, and Wassily Kandinsky. Scheyer, a German art dealer and collector who had represented these artists and settled in L.A. in 1925, left 450 works by the Blue Four and other modern artists (plus an archive of 800 documents) to the Pasadena Art Institute after plans had failed to give them to UCLA.
Contemporary art

The collection of Post-War Contemporary Art, from the Norton Simon Museum's acquisition of the Pasadena Art Museum's building and collections, is noteworthy for its strength in collage, assemblage and sculpture, including works by Joseph Cornell, Robert Rauschenberg, Louise Nevelson, George Herms, and Ed Kienholz. Pop Art, and Minimal Art are represented by Roy Lichtenstein, Andy Warhol, Donald Judd, and Robert Irwin. Californian art from the 1950s through the 1970s is a particular strength, with artwork by Sam Francis, Richard Diebenkorn, Ronald Davis, Larry Bell, Edward Ruscha, Kenneth Price, Charles Arnoldi, and Ed Moses, Color Field painting and Lyrical Abstraction are represented by Ronald Davis, Sam Francis, Kenneth Noland, Ronnie Landfield, Frank Stella, Helen Frankenthaler, and Kenneth Showell.
Sculpture

Major sculptors of the early 20th century, including Aristide Maillol, Constantin Brâncuși, Henry Moore, Barbara Hepworth, and Isamu Noguchi, are represented by works in bronze, lead and marble sculptures throughout the galleries, the Front Garden, and in the extensive Sculpture Garden grounds.
Management

The Norton Simon is organized as an operating foundation, devoting its resources to its own public benefit activities. The operating budget is about $2 million. The museum building, which is owned by the board of trustees, stands on land leased from the City of Pasadena for $1 a year. The 75-year lease runs until 2050. Negotiations in the past included possible moves to San Francisco and UCLA, as well as an affiliation with the J. Paul Getty Trust.
Jennifer Jones' Hollywood connections brought members of the film and television community, including Billy Wilder, Gregory Peck, Cary Grant, David Geffen, Tom Brokaw, and Candice Bergen, to the Norton Simon's museum board.

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